Pottery
Pottery production in Totana, with its origin in
medieval times, has been conserved to this day,
maintaining the purest craft techniques. Nowadays,
a wide repertoir of objects are continuing to be
produced, in which traditional forms haven´t
substantially changed since medieval age; given
that its a generational profession, passed from
parents to children, some of these pottery families
were established half way through the 18th centruy,
like Ayala; Subsequently, from the first half of
the 19th century until today we find families which
survive on the pottery profession like the Hernández
and Cánovas, Polo or Clemente families who
were active during almost all of the 19th century.
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The pieces are made from clay made from fuller´s
earth and Roya extracted with pickaxes and hoes
from the Canteras del Canvete which was transported
in wagons to the workshop. Once there the different
components are moulded together, mixed in a giant
mortar and stamped on by foot until all the particles
come loose, and afterwards left to decant eliminating
all the small stones and impurities; it is then
ready to be moulded and worked. Once modelled and
aired, some of them will be glazed and finally prepared
for firing in the morano wood ovens. Finally, there
is a laborious process which gives each piece a
particular and exclusive finish.
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Up until very recently everything was made for
domestic use in the kitchen, at the table, or for
preserving food etc, in particular, pieces such
as the 'tinajas' (large earthen jars) and
'orzas' (glazed earthenware jar) for the
preservation of liquids and food or the 'lebrillo'
(earthenware bowl) used for washing and the 'cántaro'
(pitcher) used to transport water, together with
'botijos' (earthenware jugs) and other
specific objects.
In the middle of the 18th century the majority
of pottery shops were found on the banks of the
Rambla de la Santa - in the Triana district - in
the 19th century some were already being found in
the former district of Sevilla - today Paseo de
las Ollerías . With the arrival of the new
century, pottery suffered waves in its production,
however, the tinajas were very popular and became
the potter´s number one product. In the middle
of the century there was a decline in this craft
sector due to the fall in the use of the domestic
utensils, like the lebrillo or the cántaro
and they started to make pieces for the garden,
like flower pots and window boxes. At the same time
a great innovation of variety of forms and treatment
of the clay took place, they started to glaze the
pieces with transparent glass, and worked white
clay. Despite the competitiveness which exists today
with indutrial production, the craft pieces, for
their beauty and variety of shapes, are exported
to European countries: France, Belgium, Germany
and Holland.
Today, more than ever, people want to maintain
this old tradition and impress the potter´s
stamp on the young people of Totana. For this reason
they have created the ´Centro Tecnológico
del Barro´ (Technological Centre of Clay)
situated in an old morino oven found in the place
known as ´Paseo de las Ollerías´,
so-called because it was in this area where formally
the old clay pots were made.